Continuouslessness; a life-long project! 
The word exist as a messy double negative resulting in negative concord. Its structure is visually awkward, a linguistically clumsy collection of letters, and the sculpture reflects its title’s literal coalition of chaos.
It’s a physical translation for an awkward yet functioning union of differing parts. No one panel can stand alone, but must rely on its neighbour for structural support. 
This neither guarantees harmony nor precludes individuality as each panel may demonstrate a different idea, material or character as long as it’s able to connect to the previous panel, be that an awkward joining of hands. 
The work remains unfinished. 

Click here for individual panel information

Continuouslessness, installation view at 15th Istanbul Biennial, 2017. Photo credit SAHİR UĞUR EREN

Continuouslessness, installation view at 15th Istanbul Biennial, 2017. Photo credit SAHİR UĞUR EREN

Continuouslessness, installation view at 15th Istanbul Biennial, 2017. Photo credit SAHİR UĞUR EREN

Continuouslessness, installation view at 15th Istanbul Biennial, 2017. Photo credit SAHİR UĞUR EREN

Installation view 'Boiling Frogs' Solo exhibition at Kunstverein für die Rheinlande und Westfalen Düsseldorf, curated by Eva Birkenstock, 2018, photo credit: Katja Illner.

Installation view 'Boiling Frogs' Solo exhibition at Kunstverein für die Rheinlande und Westfalen Düsseldorf, curated by Eva Birkenstock, 2018, photo credit: Katja Illner.

Installation view 'Boiling Frogs' Solo exhibition at Kunstverein für die Rheinlande und Westfalen Düsseldorf, curated by Eva Birkenstock, 2018, photo credit: Katja Illner.

Installation view 'Boiling Frogs' Solo exhibition at Kunstverein für die Rheinlande und Westfalen Düsseldorf, curated by Eva Birkenstock, 2018, photo credit: Katja Illner.

Installation view 'Boiling Frogs' Solo exhibition at Kunstverein für die Rheinlande und Westfalen Düsseldorf, curated by Eva Birkenstock, 2018, photo credit: Katja Illner.

Installation view 'Boiling Frogs' Solo exhibition at Kunstverein für die Rheinlande und Westfalen Düsseldorf, curated by Eva Birkenstock, 2018, photo credit: Katja Illner.

Installation view of A Shiver in Search of a Spine, ARARIO GALLERY SEOUL, SAMCHEONG, 2019 Installation view of A Shiver in Search of a Spine, ARARIO GALLERY SEOUL, SAMCHEONG, 2019, ⓒThe Artist and Arario Gallery. Photography by Oyeol Kwon

ⓒThe Artist and Arario Gallery. Photography by Oyeol Kwon

Installation view of the exhibition 'Camouflage' 2019, Kunstmuseum Sankt Gallen, LOK remise, curated by Lorenzo Benedetti. Photo credits: Markus Mosman

Photo credit: Markus Mosman

Photo credit: Markus Mosman

Photo credit: Markus Mosman

Photo credit: Markus Mosman

Photo credits: Markus Mosman

Photo credits: Markus Mosman

Photo credits: Markus Mosman

Photo credits: Markus Mosman

Photo credits: Markus Mosman

Photo credits: Markus Mosman

Part of 'Pandemic Panel' series (panels 35-43 of Continuouslessness) made for Love Letters: Stories of Distant Proximities, at Horse and Pony, Berlin, in discussion with Marie Von Heyl and Fette Sans, curated by Lea Schleiffenbaum and Marie DuPasquier. 2020 Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

Photo: Rocco Ruglio-Misurell

'Climate Changing Room' 2021, lacquered steel with adjustable lasercut-steel fig leaves. Installation view, Silbersee II, as a part of Ruhrding, 2021. Photography @ Daniel Sadrowski Urbane Künste Ruhr

Photography @ Daniel Sadrowski Urbane Künste Ruhr

Photography @ Daniel Sadrowski Urbane Künste Ruhr

Photography @ Daniel Sadrowski Urbane Künste Ruhr

Photography @ Daniel Sadrowski Urbane Künste Ruhr

Installation view of 'Climate Changing Room' 3 panels from Continuouslessness, in the exhibition 'Zeitgeister', at Kuntverein Arnsberg, 2022.

Installation view at House of Dreamers, Fondation Boghossian, Villa Empain, Brussels Photo credit: Silvia Cappellari

Panels 44-46, Portrait of the artist as a filter feeder I, II, III, 2022 installed at ChertLüdde, Berlin

Portrait of the artist as a filter feeder I, II and III, 2022, installed at Frieze, London 2022.